Friday, June 22, 2012
look what i can do
look!
look at me!
look what i can do!
watch this!
did you see me jump so far?
did you see me climb so high?
see, i wrote my name.
i can write it backwards, watch.
i'll show you how i did it.
look what i made!
i made it myself.
i put it together and then it broke, but i tried again and it broke again
but then i tried a different way and this is what i made, see?
watch what it can do.
this part turns around and this part shoots lasers.
this is how it flies, watch this!
come and see what we made -
we did it together.
i built the house and my friend made the garage.
this is where the animals live, and this is where they go potty.
if you want to come and visit, you have to knock on the door.
come and see what we are doing -
we are putting on a show.
you are the audience, you sit over there.
watch us dance, see what we can do.
this is what we're learning
this is what we're building
this is how we're growing
watch us and see
don't go away yet,
take a second look
take a closer look, lean it and examine
ask me some questions about how it works
ask me why i put that piece over there.
don't ask me what it is, because it's obvious to me -
ask me to tell you everything about it.
ask me to tell you what i was thinking about
ask me to explain the parts you don't understand
let me tell you all i have to tell
listen to my thinking, my reasoning
don't say "that's nice," and don't say "i love it,"
unless you want me to learn to only work for your approval.
tell me it looks like i worked very hard
tell me you think i must be proud of myself
tell me you notice how i kept at it, even when it was difficult,
and i figured out a way to make it work
i practiced and practiced until i learned how to do it
tell me, "remember when you didn't know how to do that?"
i will smile and say, "when i was little."
tell me you wonder what i'll learn to do next
tell me you can't wait to see
i'm making my learning visible every day
all you have to do is open your eyes
and look,
look at me.
Sunday, June 3, 2012
reggio 101
So, what is this Reggio Emilia, anyway?
Reggio Emilia is not a philosophy that one can be certified in, like Montessori. Reggio Emilia is a city in northern Italy that has developed its own unique approach to early childhood education over the past fifty years. It's an approach that cannot be duplicated anywhere else in the world because it's unique to its locale, its people and its culture. Nevertheless, educators from all over the world have started traveling to Reggio Emilia to study with the teachers*, atelieristas* and pedagogistas* of the preschools and infant-toddler centers there.
According to the North American Reggio Emilia Alliance (NAREA)'s website, "The Reggio educators seek to support early educators around the world in understanding and strengthening the identity of their own school and community, rather than attempting to replicate the experiences of children, teachers and parents in another culture and community... Reggio educators hope to promote dialogue among educators... Through this process, educators can then ensure that the learning and relationships of children, teachers and parents within their school community reflect their shared values."
So, to start the dialogue, let's delve into some of the basics. Lella Gandini, the U.S. liaison for Reggio Children, wrote an article titled, "Values and Principles of the Reggio Emilia Approach." These are my interpretations of the nine basic tenets she cites (link to Lella's article below).
The Image of the Child. This is about how we view children, what we think them capable of. The image of the child shapes everything about the teacher's approach to education. If we believe that children are intelligent and creative, whole human beings, citizens of today, capable of constructing their own knowledge and understanding of the world, then we design our schools to respect and support them, and they rise to meet their fullest potential.
Children's Relationships and Interactions Within a System. Children do not learn and grow in isolation. Their understanding of the world is intertwined with their interactions with family, community, teachers, and peers. In school, all of these relationships can be examined and strengthened to best support the child.
The Role of Parents. Parents have a right and responsibility to be involved in their children's education. In Reggio Emilia, parent participation is encouraged and expected, and varies according to each parent's strengths and interests, just as with the children.
The Role of Space: Amiable Schools. There is an emphasis on aesthetics in Reggio Emilia: high ceilings, lots of light, natural materials and works of art make the classrooms beautiful to behold. The environment is known as the "third teacher," and is thoughtfully arranged to support children's learning through materials provocations and social interaction.
Teachers and Children as Partners in learning. "The Role of the Teacher" is not to instruct or lead the children, but to be "co-researchers," learning alongside the children. The teachers ask: What are the children thinking? How is their thinking changing? What questions can we ask, what materials can we provide, what problem can we present that will take their thinking to the next level?
Not a Pre-Set Curriculum, but a Process of Inviting and Sustaining Learning. The teachers observe the children to know in which direction to take the learning. Lella talks about learning as a "spiral progression," in which the teachers and children circle back on a topic, adding layers of understanding with every new experience or interaction. It's an active process; the teachers have to be on the cutting edge of where the children are going, prepared to present the next step, and also prepared to veer in a completely unexpected direction if that's where the children end up going.
The Power of Documentation. Photos, transcriptions of children's comments and conversations, videos, tape recordings, and samples of children's work are collected all along the way. The teachers examine the documentation to figure out where to take the project work next, and bring it back to the children to reexamine and rethink. When documentation is shared with parents it keeps them connected and makes the children's learning visible. When shared with the community, it can invite the general public's broader engagement with schools, and investment in progressive educational approaches (one would hope).
The Many Languages of Children. This is the idea that children have infinite ways to express their thoughts, ideas, imaginings, understandings. The many various materials that are always available in Reggio classrooms and ateliers (art studios) support children in expressing themselves in their own unique ways. Loris Malaguzzi, the founder of the Reggio Emilia schools, wrote a poem called "The Hundred Languages" that, to me, best explains this idea. I've included a link to a lovely video of the poem below.
Projects. Known in Italian as "progettazione" (I like learning a little Italian in this process), the projects are the basis for the children's work, and can last for just a week, or can progress throughout the entire year. You never know what might become a project - a chance encounter with a worm in the garden can lead to a month's worth of research, artwork and discovery. The important thing is that the projects are initiated by the children and follow the natural trajectory of the children's interests.
There you have it, the basics of the Reggio Emilia approach. It fits in one small blog post but, I am beginning to believe, takes a lifetime to understand. This is just the first time around the spiral.
------------------------
Reggio educator definitions (to the best of my understanding):
*Teacher - each Reggio classroom has two teachers, who collaborate on all of the day-to-day running of the classroom, documentation, project work, etc.
*Atelierista - an art teacher, one at each school, who collaborates with classroom teachers to support the children in representing their ideas in as many ways as possible.
*Pedagogista - a highly educated professional who oversees a handful of Reggio schools, supporting the teachers in interpreting their research and documentation, to make the most of the educational possibilities for the children.
------------------------
Links:
Reggio Emilia's own website: http://zerosei.comune.re.it/inter/index.htm
North American Reggio Emilia Alliance (NAREA): http://www.reggioalliance.org/narea.php
NAREA's FAQ page: http://www.reggioalliance.org/faq.php#approach
Lella Gandini "Values and Principles of the Reggio Emilia Approach" pdf: www.learningmaterialswork.com/pdfs/ValuesAndPrinciples.pdf
"The Hundred Languages," poem by Loris Malaguzzi, illuminated by Sarah McRoberts: http://www.youtube.com/watch?v=174pYUcwn7w
Reggio Emilia is not a philosophy that one can be certified in, like Montessori. Reggio Emilia is a city in northern Italy that has developed its own unique approach to early childhood education over the past fifty years. It's an approach that cannot be duplicated anywhere else in the world because it's unique to its locale, its people and its culture. Nevertheless, educators from all over the world have started traveling to Reggio Emilia to study with the teachers*, atelieristas* and pedagogistas* of the preschools and infant-toddler centers there.
According to the North American Reggio Emilia Alliance (NAREA)'s website, "The Reggio educators seek to support early educators around the world in understanding and strengthening the identity of their own school and community, rather than attempting to replicate the experiences of children, teachers and parents in another culture and community... Reggio educators hope to promote dialogue among educators... Through this process, educators can then ensure that the learning and relationships of children, teachers and parents within their school community reflect their shared values."
So, to start the dialogue, let's delve into some of the basics. Lella Gandini, the U.S. liaison for Reggio Children, wrote an article titled, "Values and Principles of the Reggio Emilia Approach." These are my interpretations of the nine basic tenets she cites (link to Lella's article below).
The Image of the Child. This is about how we view children, what we think them capable of. The image of the child shapes everything about the teacher's approach to education. If we believe that children are intelligent and creative, whole human beings, citizens of today, capable of constructing their own knowledge and understanding of the world, then we design our schools to respect and support them, and they rise to meet their fullest potential.

The Role of Parents. Parents have a right and responsibility to be involved in their children's education. In Reggio Emilia, parent participation is encouraged and expected, and varies according to each parent's strengths and interests, just as with the children.
The Role of Space: Amiable Schools. There is an emphasis on aesthetics in Reggio Emilia: high ceilings, lots of light, natural materials and works of art make the classrooms beautiful to behold. The environment is known as the "third teacher," and is thoughtfully arranged to support children's learning through materials provocations and social interaction.
Teachers and Children as Partners in learning. "The Role of the Teacher" is not to instruct or lead the children, but to be "co-researchers," learning alongside the children. The teachers ask: What are the children thinking? How is their thinking changing? What questions can we ask, what materials can we provide, what problem can we present that will take their thinking to the next level?

The Power of Documentation. Photos, transcriptions of children's comments and conversations, videos, tape recordings, and samples of children's work are collected all along the way. The teachers examine the documentation to figure out where to take the project work next, and bring it back to the children to reexamine and rethink. When documentation is shared with parents it keeps them connected and makes the children's learning visible. When shared with the community, it can invite the general public's broader engagement with schools, and investment in progressive educational approaches (one would hope).
The Many Languages of Children. This is the idea that children have infinite ways to express their thoughts, ideas, imaginings, understandings. The many various materials that are always available in Reggio classrooms and ateliers (art studios) support children in expressing themselves in their own unique ways. Loris Malaguzzi, the founder of the Reggio Emilia schools, wrote a poem called "The Hundred Languages" that, to me, best explains this idea. I've included a link to a lovely video of the poem below.
Projects. Known in Italian as "progettazione" (I like learning a little Italian in this process), the projects are the basis for the children's work, and can last for just a week, or can progress throughout the entire year. You never know what might become a project - a chance encounter with a worm in the garden can lead to a month's worth of research, artwork and discovery. The important thing is that the projects are initiated by the children and follow the natural trajectory of the children's interests.
There you have it, the basics of the Reggio Emilia approach. It fits in one small blog post but, I am beginning to believe, takes a lifetime to understand. This is just the first time around the spiral.
------------------------
Reggio educator definitions (to the best of my understanding):
*Teacher - each Reggio classroom has two teachers, who collaborate on all of the day-to-day running of the classroom, documentation, project work, etc.
*Atelierista - an art teacher, one at each school, who collaborates with classroom teachers to support the children in representing their ideas in as many ways as possible.
*Pedagogista - a highly educated professional who oversees a handful of Reggio schools, supporting the teachers in interpreting their research and documentation, to make the most of the educational possibilities for the children.
------------------------
Links:
Reggio Emilia's own website: http://zerosei.comune.re.it/inter/index.htm
North American Reggio Emilia Alliance (NAREA): http://www.reggioalliance.org/narea.php
NAREA's FAQ page: http://www.reggioalliance.org/faq.php#approach
Lella Gandini "Values and Principles of the Reggio Emilia Approach" pdf: www.learningmaterialswork.com/pdfs/ValuesAndPrinciples.pdf
"The Hundred Languages," poem by Loris Malaguzzi, illuminated by Sarah McRoberts: http://www.youtube.com/watch?v=174pYUcwn7w
Saturday, June 2, 2012
baby steps
I'm always surprised when I talk to people and they've never heard of the Reggio Emilia approach, even other teachers. I've been immersed in trying to learn about the Reggio way for six years now, and the more I discover, the more I want to understand.
I started with a vague sense of what Reggio was about: progressive, emergent, project-based... the words floated around in the ether and made me feel good about working in a preschool with these values. I was coming out of nearly 5 years of teaching in a very tough and under-resourced public elementary school where I had to follow the mandated curriculum, measure each distinct subject area in minutes per week, and administer standardized tests to at least 25 underprivileged 7-year-olds, some with serious problems in their lives creating obstacles to their success. Yikes! Almost any other teaching situation would have been a reprieve, but finding a Reggio-inspired preschool to work in was a dream come true.
We started off with some inservice training; a teacher from a well-established school came and showed us images of their project work and talked about what the children had done. It was wonderfully impressive, but I came away with a lost feeling of "Yes, but how did they do that?"
Since those tentative beginnings, I have joined NAREA (The North American Reggio Emilia Alliance) and attended two of their conferences featuring professionals from Reggio Emilia, Italy. We took our whole staff to Salinas to view the Wonder of Learning exhibit, an inspiring display of Reggio children's project work that tours the world.
These days I feel like I have wondered a lot, learned a lot, and have a much better understanding of what it is that I want to understand better! My learning comes in baby steps, some bigger than others, some backwards... something like this:
- Visit a school, conference or exhibit, or
- Read a blog, book or article
- Get inspired
- Change something about how our school looks or how it functions
- Get bogged down in the day-to-day details of a busy classroom and fall short of intended perfection
- Look back and notice what we could have done better
- Repeat
It's a never-ending cycle but definitely a forward-moving one, and that's the kind that's preferable when you're on a journey.
Labels:
emergent curriculum,
growing,
inspiration,
journey,
learning,
NAREA,
process,
progressive education,
project-based,
Reggio Emilia
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